Deviant Login Shop  Join deviantART for FREE Take the Tour
×



Details

Submitted on
February 7, 2013
Image Size
1.8 MB
Resolution
4560×1296
Link
Thumb
Embed

Stats

Views
7,384 (3 today)
Favourites
224 (who?)
Comments
12
Downloads
411
×
Emerald City Comic Con:  Process by jamietyndall Emerald City Comic Con:  Process by jamietyndall
Here is the Emerald City Comic Con Exclusive broken down from start to finish. I have had a lot of people ask for me to show more of the roughs and process for making a cover. This cover is a collaboration of the amazing Ula Mos and myself.

WHERE DO COVERS COME FROM:

Covers always start out with an Idea or a scene from either the publisher or the artist. Good covers come from a collaboration of an entire team, from the publishers to the artists and writers who create the characters we draw. Once the subject matter of the cover is decided I tend to draw the rough sketch small and then scan them into photoshop to adjust size ratios. Once the sketch looks good and somewhat clean I then redraw it on 11x17 Blueline art board (aka Comic Board). I use a 4H and 2H pencil to do all my drawing... (Always sharp...I have stabbed myself several times but it is worth having a sharp pencil for details.) Once the drawing is finalized and approved I go to inks. I am horrible with brushes and have destroyed cloths, furniture and accidently inked the dog while trying to use brushes and ink. So, now I use only techinical pens such as the Copic Multiliners or Pitt pens. I ink the way I draw so Tech pens work well for me. I am not a fan of big black areas, I prefer those areas to be colored. Leaving them open gives the colorist more freedom to add lighting and form to a piece. We live in a world of millions of colors, I like giving my colorists the freedom to explore them and use them. Alright onto colors..

Ula mos (link: [link] ) is the colorist who's talents have taken my lines and given them a life of their own.

Colors start with flatting out the image into solid blocks of color usually on one layer in photoshop. This allows a colorist to quickly grab the areas with the magic wand tool when shading and adding final colors. Color bases are often three colors (Mid Tone, Shade, Highlight). These blend to give the object its form and 3 dimensional characteristics. Finished colors are a combination of all the elements together, including the lines and special effects (ie Clouds , Texture, Lighting, Highlights, reflections and shadows.)

I hope this helps answer some of the questions about how a cover is created and what goes into making a Zenescope cover.
Add a Comment:
 
:icononemore:
onemore Featured By Owner Feb 27, 2013
Is it weird that I actually really like the next to last step in the process, about equally as well as the final product?
Reply
:iconorabich:
orabich Featured By Owner Feb 20, 2013  Professional Digital Artist
great work!

:gallery: [link]

:points: [link]
Reply
:iconsleepbringer:
Sleepbringer Featured By Owner Feb 10, 2013
This is great as always!!!!

What are you scanning specs?
Reply
:icondantooine:
Dantooine Featured By Owner Feb 9, 2013  Hobbyist Digital Artist
Thanks for sharing! This really helps. I always like to see how the pros do it.
Reply
:icondelitacrecen:
DelitaCrecen Featured By Owner Feb 8, 2013
wow you are so awesome i love it
Reply
:iconjokerx2011:
JokerX2011 Featured By Owner Feb 8, 2013
Thanks for that - Great stuff! How Long does it take you and Ula to have one finished Picture?
Reply
:iconmpz28427:
mpz28427 Featured By Owner Feb 7, 2013
that's cool, thanks for sharing :)
Reply
:icongmrdrew:
GMrDrew Featured By Owner Feb 7, 2013  Professional Filmographer
whoa you really fixed that face from the beginning. good job. and what prompted the hair change???
Reply
:iconiwai:
iwai Featured By Owner Feb 7, 2013  Professional
Thanks..nice process
Reply
:icondaniel-jeffries:
Daniel-Jeffries Featured By Owner Feb 7, 2013  Hobbyist General Artist
great to see your process
Reply
Add a Comment: